
Tripper (Deluxe Reissue)
Please note: product images are digital mockups. Actual products may vary in color, brand, style, and/or production materials due to reasons beyond our control.
⢠INCLUDES BONUS 7" WITH 2 DEMOS FROM THE ORIGINAL SESSIONS, AND A DOWNLOAD CARD WHICH INCLUDES THE 12 MINUTE AMBIENT JAM THAT INSPIRED âTHE FEN.â
⢠RE-ENVISIONED LP JACKET ART, PRINTED INNER SLEEVE WITH LYRICS & LINER NOTES FROM EDJ.
Ah Tripper! This one always feels like either the end of something for me or the beginning. A âtransitional recordâ as they say. My first one with Thom Monahan. My last one with Sub Pop. My first one where I finally kinda knew my way around a studio. My last one before I climbed into a cave for a while before deciding to re-emerge a half decade later. Lots of firsts and lasts. But of all my âbefore timesâ records this one feels like itâs got the most to say. And man we made a LOT of music on this one. Lots of stuff on lots of hard drives. Lots of bonus tracks that didnât make the final cut. Ambient jams. Richard Swift playing piano in a room where Elliott Smith once called home. I know now this record was fun to make because I donât recall wearing shoes during much of it. Also there was a tsunami and a flood and lots of general weirdness in the air.
I think I figured out a lot of who I was to become on this record. Thom didnât let me half-finish anything. I wrote from the heart, and at that point I was also old enough to write from a bit of experience, too. This album is about losers and misfits and trippers and weirdos, and I think I probably felt a kinship to those sometimes fictional, sometimes real characters. Also I wrote âShivering Fawnâ which Iâm pretty sure is about a coyote spirit living in a homeless man, and itâs still one of my favorite songs that Iâve done. We did one of our best music videos in âYouâre Too Weird.â Oh and the album cover by my wife Annie is great too. OK yeah Iâm proud of this one. Hope you dig it one more time.
â EDJ, 2022
Please note: product images are digital mockups. Actual products may vary in color, brand, style, and/or production materials due to reasons beyond our control.
⢠INCLUDES BONUS 7" WITH 2 DEMOS FROM THE ORIGINAL SESSIONS, AND A DOWNLOAD CARD WHICH INCLUDES THE 12 MINUTE AMBIENT JAM THAT INSPIRED âTHE FEN.â
⢠RE-ENVISIONED LP JACKET ART, PRINTED INNER SLEEVE WITH LYRICS & LINER NOTES FROM EDJ.
Ah Tripper! This one always feels like either the end of something for me or the beginning. A âtransitional recordâ as they say. My first one with Thom Monahan. My last one with Sub Pop. My first one where I finally kinda knew my way around a studio. My last one before I climbed into a cave for a while before deciding to re-emerge a half decade later. Lots of firsts and lasts. But of all my âbefore timesâ records this one feels like itâs got the most to say. And man we made a LOT of music on this one. Lots of stuff on lots of hard drives. Lots of bonus tracks that didnât make the final cut. Ambient jams. Richard Swift playing piano in a room where Elliott Smith once called home. I know now this record was fun to make because I donât recall wearing shoes during much of it. Also there was a tsunami and a flood and lots of general weirdness in the air.
I think I figured out a lot of who I was to become on this record. Thom didnât let me half-finish anything. I wrote from the heart, and at that point I was also old enough to write from a bit of experience, too. This album is about losers and misfits and trippers and weirdos, and I think I probably felt a kinship to those sometimes fictional, sometimes real characters. Also I wrote âShivering Fawnâ which Iâm pretty sure is about a coyote spirit living in a homeless man, and itâs still one of my favorite songs that Iâve done. We did one of our best music videos in âYouâre Too Weird.â Oh and the album cover by my wife Annie is great too. OK yeah Iâm proud of this one. Hope you dig it one more time.
â EDJ, 2022
Original: $29.99
-70%$29.99
$9.00Description
Please note: product images are digital mockups. Actual products may vary in color, brand, style, and/or production materials due to reasons beyond our control.
⢠INCLUDES BONUS 7" WITH 2 DEMOS FROM THE ORIGINAL SESSIONS, AND A DOWNLOAD CARD WHICH INCLUDES THE 12 MINUTE AMBIENT JAM THAT INSPIRED âTHE FEN.â
⢠RE-ENVISIONED LP JACKET ART, PRINTED INNER SLEEVE WITH LYRICS & LINER NOTES FROM EDJ.
Ah Tripper! This one always feels like either the end of something for me or the beginning. A âtransitional recordâ as they say. My first one with Thom Monahan. My last one with Sub Pop. My first one where I finally kinda knew my way around a studio. My last one before I climbed into a cave for a while before deciding to re-emerge a half decade later. Lots of firsts and lasts. But of all my âbefore timesâ records this one feels like itâs got the most to say. And man we made a LOT of music on this one. Lots of stuff on lots of hard drives. Lots of bonus tracks that didnât make the final cut. Ambient jams. Richard Swift playing piano in a room where Elliott Smith once called home. I know now this record was fun to make because I donât recall wearing shoes during much of it. Also there was a tsunami and a flood and lots of general weirdness in the air.
I think I figured out a lot of who I was to become on this record. Thom didnât let me half-finish anything. I wrote from the heart, and at that point I was also old enough to write from a bit of experience, too. This album is about losers and misfits and trippers and weirdos, and I think I probably felt a kinship to those sometimes fictional, sometimes real characters. Also I wrote âShivering Fawnâ which Iâm pretty sure is about a coyote spirit living in a homeless man, and itâs still one of my favorite songs that Iâve done. We did one of our best music videos in âYouâre Too Weird.â Oh and the album cover by my wife Annie is great too. OK yeah Iâm proud of this one. Hope you dig it one more time.
â EDJ, 2022











